Workshops

Teaching Design Theory: How and Why

Helen Armstrong, MFA Candidate, MICA; author of Graphic Design Theory: Readings from the Field

What is the place of theory in the classroom? Is design theory a separate academic subject? What’s the relationship between theory and research? Theory and history? Should studio design educators be teaching theory, or should art history departments be doing a better job serving their (sizable) graphic design constituencies? Come share ideas and experiences with Denise Gonzales Crisp (NC State), Kristin Hughes (CMU), and other colleagues.

Your Word Here: Political Totes

Nancy Froehlich, Assistant Professor, Western Michigan State;
Zvezdana Stojmirovic, Professor, Maryland Institute College of Art;

How would you summarize the election season?
We want your opinion! In a word. Drawn by you. Juxtaposed. On a tote bag.

Each participant will be challenged to sum up his or her experience of the political season in a single word. Using the tote bag as a blank canvas, designers will play a modern version of the surrealist game Exquisite Corpse to create a collabortively authored tote bag.

How the game is played :

Web Design for Print Designers, A Hands-On Workshop

Katie Parker-Obrecht, Assistant Department Chair for Graphic Design and Photographic Imaging,
The Art Institute of Atlanta

The Post-American Design World

Joseph Coates
University of Maryland, Baltimore County (UMBC)
Department of Visual Arts

What changes are happening with design worldwide, what are expected, and how are Americans (and perhaps American design educators) a bit ignorant (or oblivious) of it all or… scared or… in denial?

Educating Emotionally Intelligent Designers

Marcia Stone, Lecturer, Herron School of Art and Design, Indiana University at IUPUI

Probes: A Designerly Way of Researching

Yu-seung Kim and Mari Nakano, Media Design Program, MFA Candidate, Art Center College of Design

Back to [Pre]School: Learning through Play

David Wang, MFA Candidate, Louisiana Tech University; Adrienne Hooker, Assistant Professor, Louisiana Tech University

Students practice design in elementary school—drawing, cutting, assembling, reading, and writing. At an introductory level, university programs reinforce and expand upon connections to design elements and principles. However, an instructor’s teaching style becomes stagnant with the usual lectures and never-ending critiques. Learning styles often are disregarded and fun disappears from the classroom.

Learning Styles and Creative Problem-Solving

Christopher Vice, Chairperson, Department of Visual Communication Design, Herron School of Art, Indiana University at IUPUI

Relevant audience: Any undergraduate or graduate faculty member (or student) who is engaged in collaborative work

Learning Outcomes:
Workshop participants will recognize and understand relationships between learning styles and creative solving process preferences. Understanding how and why people respond differently to problem-solving processes, workshop participants can apply their new knowledge to disarm the agendas and conflicts that can arise when people interact.

Activity:

Book Arts for Designers

Adrienne Hooker, assistant professor, Louisiana Tech University

Gonzo Bookbinding

Lisa Rosowsky, Chairperson, Communication Design
Associate Professor of Graphic Design, Massachusetts College of Art and Design

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